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`Olelo: The Corporation for Community Television
Minutes
of the Board of Director's Meeting
Wednesday, April 26, 2000
`Olelo Classroom
1122 Mapunapuna Street
Honolulu, HI 96819
In attendance:
Linda Colburn, Dee Darby, Susan Doyle, Rochelle Gregson,
Gary Honda, Joseph Lapilio, Robert Mougeot, Marilyn Yoza
Staff:
Angela Angel, Dawne Deponte, Diana George, Thomas Haas, Miki
Lee, Lurline McGregor, Michelle Ogata, Sparky Rodrigues,,
Kuuipo Rossiter, Tomoko Yokooji
I. Board Chair Susan Doyle called the meeting to order at 6:10
p.m.
II. Public Comment
Brian Lee commended the administration for having financial reports
available for the public to review. He commented that access to
information in advance allows for meaningful input, as opposed
to some of the more general information available in the past.
He went on to commend staff for getting new little cameras. He
felt these would help people who had been reluctant to check out
the big heavy cameras and tripods. Brian noted his concern about
the focus group. Specifically, he asked why the focus was on non-profit
groups and corporations, and why no viewer group was interviewed.
He also shared his concern about determination regarding whose
productions get facilitated. He commented that no one will argue
about [working with] United Way or Boys Scouts, but wondered what
would happen if the Hemlock Society or a client wants to get the
same level of facilitation. He added the need to be careful that
facilitation isn't discriminatory or provided in manner contrary
to `Olelo's mission to give people equal opportunity.
Jeff Garland also shared his thanks for the hand outs. He added
they made him feel a little bit more informed of the process.
He asked if the mission statement included in the Strategic Plan
was being proposed to replace the current statement. He went on
to say the word "promote" in front of the lifelong learning through
the creation, production and cablecasting of programs... is a
concern of everybody. He added that there's been a lot of facilitated
programming with no accounting of how much this programming has
cost. He stated it would be nice to see the cost of these programs
and that it'd be good to include clients in the productions. Jeff
was concerned about the cost of the interactive media center.
He felt the $500,000 budget was an arbitrary figure. He offered
to suggest regarding the relocation of offices. He further stated
it seems like a big waste of money. He suggested a pilot project
first to see if it works.
Lillian Hong noted that the it takes a long time for the suggestion
box to be cleared out, sometimes up to two months. She went on
to say that she's very concerned about recent staff turnover.
She's made inquiries about staff and has been told that these
issues are confidential. She would like more information about
staffing changes.
Jim Brewer introduced himself as an elected member of ASAC, and
clarified that he was speaking as an `Olelo user and not on behalf
of the committee. Jim submitted his comments/suggestions in writing.
(See attached.)
Susan Doyle thanked the speakers as well as those who took the
time to attend the meeting. She added that the board takes public
comment seriously and feels its an important part of the process
of doing the best job possible.
`Olelo's responses to questions not addressed during the board
meeting are located on our web page.
III. Approval of December 7, 1999 Minutes
The board unanimously approved the minutes of the December 7,
1999 Board of Directors Meeting.
IV. Reports
President's Report:
1999 Year Review - Lurline McGregor circulated a written
report and went on to go over some of the highlights. As part
of the 1999 Year in Review, she pointed out that as of May 1999
use of fallow time was discontinued. Locally produced programming
was up 10% over 1998; and repeat hours were down 18% for all channels.
Last year there were 3,291 programs completed using our facilities,
449 producers that used Olelo's services, and 105 presenters who
submitted 958 programs. By the end of the year the Post Plus service
was up and operating. To date, we've cut 50 programs on it. Forty
client producers have been trained on the equipment. She added
that the goal is to expand use of the non-linear system. Over
a hundred "coming up next" promos have been produced on the equipment.
Lurline went on to announce that Olelo programming is once again
being listed in MidWeek, and the Sunday T.V. supplement.
As a result, `Olelo is no longer publishing its own T.V. guide,
however we are keeping our web page updated.
Programming Update - Lurline commented that there was
not further news regarding `Olelo having aired Final Exit
other than what was written in her report.
Year 2000 Business Plan - Lurline reported that `Olelo
is planning to provide video streaming programming starting this
July. Initially, it will be tested as a demonstration project,
which will allow us to develop policy and procedure for the service,
including how many channels and which programs will be featured.
Hopefully, by the end of the year, we'll be fully operational.
She also reported the development of two new programs. Giving
Aloha is done in our studio and features non-profit agencies.
The last segment was done totally by volunteers, which was the
intent of the program. More non-profits and celebrity hosts are
showing interest in participating in the program. The second program
is LiveLine, which we've asked an outside producer to develop
and design as an advanced studio training program. A community
advisory committee was created to provide direction on LiveLine
topics. Instead of being just a debate format, LiveLine will attempt
to come up with solutions for issues. LiveLine is a live program
that will air one live on the last Sunday of every month.
Focus Group Results - Five groups were included in the
focus group. Two were made up of educators, one was made up of
corporate communications officers, one was comprised of non-profit
representatives and the last was made up of infrequent `Olelo
viewers. Overall, we found that many were not very aware of the
channels. Participants commented on the need to have regularly
scheduled programming in order to gain steady viewers. This is
a challenge for community access, since the nature of access leads
to irregular programming schedules. It's impossible to compete
with broadcast standards or to structure ourselves to have weekly
shows because we're volunteer run by community producers. We are
addressing the public awareness issue through our Strategic Plan
and through our promotions efforts we are trying to make people
aware of both our services and channels. The focus groups reinforced
to us that public awareness and programming schedules continue
to be problems. Lurline also mentioned that she sent copies of
the results from the two educational groups to HENC. The teacher
surveys indicated a lack of awareness and use of the channels
for educational purposes.
Hawaii Educational Network Consortium (HENC) Update - Lurline
reported that HENC's annual reports were deficient in that they
contained contradictory programming statistics and were not in
compliance with the forms provided in the agreement. After HENC
declined to change their report, Lurline sent them a copy of a
five page draft letter requesting that they reconsider their position
regarding corrections in their report. As a result, a meeting
was called yesterday (4/25) with DCCA and HENC representatives.
HENC agreed to correct their numbers, at the same time expressing
reservations about the thoroughness of our review of their report.
They indicated our review should not extend beyond accepting their
reported programming hours. Lurline noted that if `Olelo's responsibility
to the HENC agreement is to provide oversight, then we are at
an impasse. She requested that the board appoint a committee to
review the matter and present recommendations at our next board
meeting.
Robert Mougeot asked if HENC understood our fiscal responsibility
for the monies that we released to them. Lurline responded that
she felt they should have such an understanding based on what's
on the contents of the contract.
Susan Doyle asked for further discussion and for a motion to
be made.
Rochelle moved that a board committee be created to explore options
for the HENC relationship. The motion was seconded and the board
unanimously agreed.
Susan Doyle acknowledged the difficulties associated with the
situation and that much effort has been invested in finding a
way to manage the educational component of PEG access. She added
that there is a need to give careful consideration to how to best
proceed.
Robert Mougeot asked for a review of how we've tried to resolve
the issue.
Lurline reported that we've asked them to improve the quality
of their reporting noting that the board has directed to make
sure their reports are acceptable in terms of how they are using
the money and making sure that the purposes are being fulfilled.
At a board meeting last year, we agreed to wait and see if the
January HENC report would correct the deficiencies previously
cited. They were not. Lurline met with Marlon, to discuss the
situation. Based on responses to date, they remain resistant to
complying with our requests. She added that they feel we are trying
to micro-manage them and that we should basically give them the
funds and trust that they are doing what they are supposed to
do.
Lurline added that she raised concerns about internal inconsistencies
and a lack of substantive narrative content.
Rochelle Gregson commented that it might be a good idea to have
a meeting that brings all the history and documents together.
This would be useful in exploring the contract and expectations
more closely.
Susan Doyle agreed and called the question whether we should
convene a committee to review the HENC contract and relationship.
All board members unanimously agreed.
Gary Honda suggested HENC should be notified that this contract
is being reviewed by the programming committee.
Susan Doyle requested the committee report back to the board
with its recommendation.
Education Center Proposal - Lurline continued her report
by providing background on the concept of an interactive media
center. Last year, staff began exploring media literacy and awareness
ideas, especially targeting youth, as a means of building community.
Angela Angel proposed the concept of the interactive learning
environment at `Olelo, which prompted a staff visit to the Children's
Discovery Center, which is designed for children to learn through
interactive activities. As part of a staff retreat, the concept
came up again. Staff said if they could build a media center from
scratch, they would build a center where community members would
walk in and immediately be surrounded by exhibits and information
that would inform them about public access and show them how they
could participate. After discussing the concept with Alan Tang,
the project started to build momentum and take shape quickly.
Lurline pointed out the request for full funding in this year's
capital budget, recognizing that several steps must first be accomplished
before final approval. The first step is for Alan to present the
concept to the board. Pending final board approval public input
will be sought via meetings and other venues to gather additional
perspectives.
Alan Tang's Presentation - Alan introduced himself and
described the project concept. He described the interactive media
center as an education and learning center. The center will be
for use by new and existing clients and will convey the philosophy
of public access by informing the participants about `Olelo, the
services and the facilities. The center will also create a better
understanding of the power of television, and will work to remove
the fear of producing a program by giving first-timers actual
hands on experience in a safe environment.
The three primary groups who will benefit from this concept are
existing clients, schools and community groups or non-profit organizations.
Current users will be able to advance their production skills
through the center. They can also use the center as a volunteer
recruiting tool. Schools can use this as a teaching opportunity
to engage youth in television and production. It would also allow
them to showcase educator or student achievements. Showcasing
is possible because when they participate in the center's tour,
they will actually produce a short 13- minute program which can
air on `Olelo. Non-profit organizations will also learn about
production and be able to make a short program highlighting their
organization. Alan suggested that if `Olelo reached only three
percent of all three audiences combined, the center would be busy
every week of the year.
After first consulting with staff, Alan met with a media literacy
instructor as well as experts in construction, promotions and
architecture. As a result the center proposal includes the following:
- A tour will introduce production concepts.
- State of the art computer-based learning exhibits will
teach skills and techniques.
- The tour will end with a hands on taping session allowing
participants to produce a program up to 13 minutes long.
- That program can be shown on one or more of `Olelo's channels.
- Participants will learn about `Olelo and the public access
process.
- Participants will learn about the power of the television
medium.
- Participants will learn how to put together a television program.
- Participants will learn useful production skills such as
basic and advanced camera techniques, how to use audio and
effective lighting.
- Participants will learn how to direct a production, conduct
an interview and edit.
- The center has been designed to allow for future expansion.
Some physical renovations are anticipated, although the current
proposal was designed to require minimal construction. Three areas
have been targeted for improvements, including the expansion of
the main lobby/reception area to include a space to stage the
tours, the Lokahi Room will be converted into a exhibition/screening
hall, and the entrance of the building would be renovated to create
a comfortable rest area for meals or breaks. Artist renderings
were shown.
- How large of a group can be accommodated?
A. The preliminary plan is to take as few as two to as
many as thirty individuals. Large groups could be split up
for easier management.
- How long will the tour take?
A. Approximately 2 hours.
- What impact will this center have on staff and what are the
ongoing operating costs associated with the project?
A. We expect one to two tours a week and can be accommodated
by two staff members and/or volunteers. At the point where
response is overwhelmingly positive, we may need to look as
adding staff. By that time, however, `Olelo will be benefitting
from positive community awareness and publicity.
- How would this project impact the current usage of the center?
Would it detract from the ability of current producers to do
what they have to such as to direct and cut their program, etc?
A. There will be minimal impact on producers/clients.
Tours will be coordinated around peak client use periods.
The space is also available for use by clients as well as
visitors.
- For the cost of $500,000, scheduling just two tours a week
doesn't make sense. Are we targeting 20 tours a week? At that
point wouldn't there be operational impact?
- If we got up to about 20 tours a week, there would be operational
impact. One to two tours a week will generate quite a number
of programs, and with that will come new viewers as well. At
this point, it's hard to say whether we can generate 20 tours.
We need further feedback, as we have not explored the top capacity
of the service. Even five tours a week wouldn't significantly
impact the regular operation, as long as we keep it one a day.
- What other options were explored in getting people educated
about public access television? For example, using existing
media centers or outreach mobiles or some other approach? Was
this the only option that was explored?
- I was approached to develop this plan, and didn't explore
the other possibilities.
Q. What are the next four to five steps to pursue and
develop this plan, if we were to give conceptual approval
to this evening, so that we know what we have to look forward
to and what kinds of opportunities we have to assess the progress
of the investigation on the planning.
- More detail on the costs is required. The architect has done
a good job in guiding us. We can definitely work within the
$500,000 budget. We need to price things to make sure that we
can stay within the budget. We need to do further explorations
with the intended markets, the non-profit groups, the schools,
and the clients to get feedback in order to shape the content
of the tour more precisely to their needs. I think, initially
we just want to assess whether this project will be welcome,
whether we will be meeting any needs. Once we're beyond this
stage, then we need to identify specifically what those needs
are and how we can address that and we need to get more details
to the process.
- Theoretically, each tour should result in a 13 minute production
piece?
- If it catches on the way we hope, yes it would.
- Does the design allow for self-guided tours as well as guided
tours?
- Yes. You can basically walk up to a display to find out more
about and it. The only thing you'd miss is the formal welcome/presentation.
We could also organize a tour made up of individuals who request
one. Because the tour involves producing a program, which is
hard to produce individually, you'll have to be a part of larger
group to do that.
- The facilities and or equipment is available for anybody to
come in and use on the time between tours?
- Yes.
Q. How does this interact with your satellite operations?
Are we trying to integrate this type of training with what's
up there in the satellite areas or does it duplicate what's
happening in Waianae or Kahuku?
- Not really. The focus is to provide a formal/organized educational
opportunity. We would encourage people from Kahuku and Waianae
to come in and go through the tour and get an idea and then
out in those areas to make use the satellite centers. Primarily,
we're trying to generate interest, understanding and participation
in public access.
Susan Doyle thanked Alan Tang for his presentation and for addressing
the board's questions.
Marilyn Yoza confirmed that the board is to make a motion to
move forward and pursue getting additional information by taking
it out into community, and not making a motion to commit at this
point.
Susan Doyle responded that staff is bringing the idea to the
board. It's not been fully developed, but staff wants an indication
whether the concept is an acceptable thing to commit further resources
toward. I believe it's part of the budget that has been proposed
in the packet. The board is being asked to approve moving this
concept forward.
Rochelle Gregson moved to continue to pursue the conceptual development
of the interactive media center for the main facility. Marilyn
Yoza seconded the motion and the board unanimously approved the
motion.
Strategic Planning Committee Report:
Joseph Lapilio confirmed that his committee is looking at updating
the mission statement, as seen in the strategic planning framework.
The plan is meant to be an evolving long term document. We expect
a lot of changes to occur on this. The purpose of doing the strategic
plan at the board level, is to point the ship in a direction and
give staff some guidance. `Olelo's vision is stated and the strategy
has been outlined. The outcomes that we develop in the strategic
planning committee were based on public comment we heard at the
Waianae center Board meeting as well as other comments that came
in. We want to encourage services and programs about community,
content that's of value and interest to the community, and individual
support and volunteer participation in `Olelo activities. The
plan also defines increased diversity of voices on `Olelo channels.
We have some examples on how that can be measured, but the next
step is really to take this to staff to start looking at how as
an organization they want to identify particular indicators from
these outcomes. A set of value statements or operating principles
still need to be developed, which relates to Jim Brewer's earlier
comments about defining the spirit and basic principles of public
access. We also need to develop indicators and specific activities
that match not only the mission and the vision but the operating
principles. So, the next step, if this is approved, is to move
it on to staff with some board participation.
Robert Mougeot asked for details on the process of putting the
framework together.
Joseph Lapilio replied that it actually started at the Waianae
Media Center Board meeting last November when we first put out
the draft `Olelo strategy for comment. It was also posted on the
web site and in the newsletter. Written and verbal comments were
solicited. The Strategic Planning committee developed the draft
framework over the past few months and has since spent time reviewing
it and discussing it with staff to understand what the implications
would be and what the next steps are. Susan was a great help in
providing some of the materials that the YWCA uses in their strategic
planning, including outcomes and indicators. Joseph thanked the
committee for the great job they did putting this together.
Marilyn Yoza asked if the operating principles are separate from
the strategic plan.
Rochelle Gregson responded that the issue Marilyn raised is one
of two that still needs to be addressed--the concept and the delivery
of that concept. The Mission-Vision points us in the direction
that we want to go. The strategies move us toward our goal. So,
we've got the plan but we don't have really the strategic process
developed that helps turn this into a living document. The Strategic
Planning Committee needs to talk about this and the development
of operating principles.
Linda Colburn moved to accept the proposed strategic plan framework
as presented with the understanding that it will continue to evolve,
subject to the development of a strategic process. Gary Honda
seconded, and the board unanimously accepted the motion.
Program Committee Report:
Gary Honda provided background on the Access Services Advisory
Committee (ASAC) For two years the Program Committee has been
working with ASAC to come to some substantial agreements on the
structure of the committee itself. They now meet monthly instead
of quarterly. Gary invited board members to attend if they were
interested. Meetings are held the third Wednesday of each month
at 6:00 p.m. The committee relies heavily on Julius Ah Sam and
Steve Knox who have been members since the committee's inception,
and who have provided background and continuity. The committee
now sets agendas for their meetings which wasn't done earlier
because the committee was focused on defining its role. Meeting
minutes are now posted on the web. Staff regularly attends meetings
to provide updates. The format of how the committee reports has
been discussed. They are leaning toward developing a list of accomplishments,
along with action items, current work, and projects that warrant
discussing. An ASAC suggestion form is available for people to
fill out.
Tape Grant Program - Last year, the board set aside $50,000
to be used to increase new productions. After lengthy discussion,
the ASAC committee developed a proposal for a tape grant program
and that one free tape be issued per month, per producer or presenter,
when a premier production or a brand new show is turned in. (A
30-minute tape for a 30-minute show and one-hour tape and for
one-hour or longer show.) ASAC feels that this will help to increase
production. The program will run for three months or until a $25,000
limit is reached--whichever occurs first--to test the viability
of this grant. ASAC will evaluate the program before further action
is recommended. ASAC discussed awarding grants, but felt that
this tape grant program would encourage completion of projects
in progress.
The other item ASAC wanted to recommend to the board was to have
public comment moved to the beginning of the board meeting so
people can make their comments and leave if necessary.
Marilyn Yoza asked what criteria will be used to determine if
the program is successful.
Gary Honda responded that it will be based on the number of people
that take advantage of the program, including new and old producers
that produce new shows. Staff will keep track of the use. At the
end of three months we will know whether we have achieved our
goal.
Robert Mougeot wanted to confirm that this program will increase
productions.
Gary Honda responded affirmatively, although he noted that there
is a lot more involved in finishing a program, including editing.
Robert Mougeot went on to inquire what the specific relation
was between giving a person a tape and new production.
Gary Honda answered that the free tape should motivate people
to produce a new program, since you can't get a tape by turning
in an old or repeat program.
Susan Doyle expressed appreciation for the committee's efforts
and asked for the question to be called of accepting the committee's
recommendation to support a tape grant program and to move the
public comment portion of the board meetings up to the beginning
of the agenda.
Gary Honda made the motion. Rochelle Gregson seconded, and the
board unanimously accepted the motion.
Finance Committee Report:
Dee Darby explained that the first motion relates to `Olelo's
investment policies. Specifically, the purpose is to shorten the
duration of investments. Our current policy limits investments
to cash type items. The proposal is to establish shortened durations,
but not at any loss of money. If we hold funds for the full length
of time, it's okay because there aren't a lot of them. However,
if we have the opportunity to sell them and not lose money, we
should have the option to do that.
Robert Mougeot moved to accept the revised investment policy
statement for First Hawaiian Bank. This was seconded by Marilyn
Yoza, and the board unanimously accepted the motion.
Revised 2000 Operating Budget - Dee Darby continued by
reporting that `Olelo received it's annual allocation of fees
from Oceanic Cable in January. Last year, we based our year 2000
budget based on an estimation of what franchise fees would be
and have revised the budget to reflect the actual fees. Dee referred
board members to their packets which included budget details and
noted some changes in payroll expenses to accommodate new positions
of Volunteer Services Manager, Outreach Coordinator, and additional
Media Resource Technicians. She also noted that the budget had
been reviewed by the Finance Committee.
Dee Darby moved to accept the revised 2000 Operating Budget.
It was seconded by Joseph Lapilio, and the board unanimously accepted
the motion.
2000 Capital Budget - Dee Darby explained that the budget
did include the provisional $500,000 discussed earlier for the
for the Interactive Media Center. She added that it's understood
that this is subject to a long list of steps and further Board
approval.
Dee Darby moved to approve the year 2000 Capital Budget of $1,351,866
inclusive of the $500,000. This motion was seconded by Robert
Mougeot, and the board unanimously approved the motion.
Nominating Committee Report:
Linda Colburn explained that the nominating committee was formed
last December to identify candidates for nomination to DCCA, to
fill the `Olelo Board vacancy for Robbie Alm. The committee (Gary
Honda, Robbie Alm, and Linda) met in early January to identify
desirable candidate characteristics to best complement the existing
strengths of the board. The committee also looked at sector representation.
The three candidates recommended by the committee are Joan Husted
of the Hawaii State Teachers Association, Janis Reischman of the
Hawaii Community Foundation, and retired Judge Patrick Yim. All
three candidates have been contacted, and all have agreed to have
their names sent forward. They understand that the DCCA will make
the ultimate selection.
Robert Mougeot asked is we were filling more than one slot and
commented on the high quality of the three candidates.
Susan Doyle confirmed that there is only one slot open at this
time and she thanked Linda for her leadership.
Linda moved that the list of three candidates be forward to the
DCCA for consideration. The motion was seconded and the board
unanimously approved the motion.
Linda Colburn added that the committee received two self nominations
and will send those applications to DCCA as well.
Slate of Officers - Linda Colburn also reported the slate
of officers nominations for the year:
Chair, Susan Doyle
Vice Chair, Joseph Lapilio
Secretary, Linda Colburn
Treasurer, Dee Darby
Linda moved to accept the slate, it was seconded and the board
unanimously approved the motion.
IV Old Business
No old business to report.
Susan Doyle adjourned the board meeting at 7:45 p.m.
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